"I Only Shoot Natural Light"

This subject came up the other day at the mall when Krissy and I were picking up my suit. We'd met an acquaintance of hers who is a photographer who shoots in natural light. I don't know if she uses it exclusively, but from what I saw and remember, she does.

This made me think of the numerous photographers I see saying they only shoot in natural light; when I start thinking, sometimes words just start flowing out of my mouth, this one one such time.

First of all, there is nothing wrong with natural light, this isn't some anti-sun rant or anything, this is more about attitude. I love natural light, I think we all do; without natural light, we'd all be dead.

But I have some problems with people who seem to brag about the fact that they use sunlight exclusively.

First of all, strobes are not unnatural light. They are available. Joe McNally often quotes someone who says he only uses available light. He of course finishes by saying that "available light" is "any fucking light that's available" and to this sentiment I agree.

What if you only use sunlight, and the sun isn't cooperating? You can't work. Yes, people will understand that, but I think at times it can look unprofessional. Imagine getting set up with a customer/client and the clouds roll in killing your dramatic light you had, or there are no clouds and the light is harsh and overbearing. Do you tell them to wait? Do you say you'll try again some other time? I understand you can work with this and around this, but by declaring strobes off-limits seems silly to me.

I think people are scared of flash. I think flash is the proverbial fat-assed gorilla in the room that they want to approach, because when do you get to see a gorilla up close? But they're terrified he will go, quite literally, apeshit on their asses. That's flash. People are intrigued, but afraid because of the uncertainty.

Or maybe they are just lazy.

Then there are the hipster types who are just too cool for any kind of light that isn't directly from the sun falling on powerlines or old fountains. And cross-processing it. Or using polaroids, because manual film is too mainstream.



All that said, I think that a knowledge of light, is paramount for any photographer. Painters were (and are) masters of light, so when something is the backbone of your work, you have the duty to understand it and to utilize it to its fullest potential.

Knowing how light works allows you to take sunlight that may not be ideal and sculpt it onto your subject. You can then supplement this light with strobes, or hot light, or iphone screens, or any other source of light as needed.

So I think natural light only is something of a cop out. People sound pompous when they say it like, "I don't use strobes, I don't need to cheat, I work with what nature gives me to show you how you really look" when in reality, strobes absolutely do the same thing--and so much more.



Rings made by Vicky definitely recommend her shop