Response: Why You Were Probably Expecting Too Much From Taylor Swift, Andrea Lampros

I read this article today entitled, "Parent Regrets: Why I Wish We Never Went to See Taylor Swift" and the arguments made in the article bother me. I'll go through the post little by little, but the author basically says the following: "Wah, wah, wah, I'm butthurt that Taylor Swift isn't the perfect symbol for feminists and her concerts are too flashy."

Good thing she didn't go to this concert; I imagine her son and husband would be scarred for life.

That said, here we go.

A note to moms: If you're thinking about taking your daughters to see Taylor Swift as their first concert, and maybe your first show since the Indigo Girls in 1996, please don't.

Here's your problem, Andrea. You haven't been to a concert in fifteen years. Things are different now. Concerts need to gross hundreds of millions of dollars now. Taylor Swift doesn't actually make money by selling millions of records (believe it or not). She makes money from endorsements and concert ticket sales. (Unless Tay Tay has a 360 deal, which is a possibility).

If you're thinking you'll see a sweet Southern singer/songwriter on stage with her guitar, a few pretty dresses, and simplistic but heartfelt lyrics, you won't.

If you want to see that, go to the House of Blues. You could probably see someone like Adele there. She's probably more up your alley, although not country or southern.

The overwhelming message of the Swift concert to the sea of girls ages 5 to 55: be pretty, be conventional, be quiet (well, it's OK to scream for me), and definitely put on some lipstick.

Bitch much? Considering anything I've ever seen of Taylor swift, she's hardly "conventional." She wears cute dresses instead of lingerie on stage. You ought to be happy you didn't bring your family to a Britney Spears concert where she dry humps the stage for ninety minutes.

When my 10-year-old daughter learned to belt out "A Place in this World" on her guitar a few months ago, I began to feel some affection for Swift. Country music up until the quasi-country, anti-Bush Dixie Chicks had never appealed to me, but Swift's commitment to writing her own songs and to making her own way in the music business was compelling. And she even maintained some dignity after being publicly berated by an obnoxious Kanye West.

Agreed. Taylor Swift is probably the closest I'd get to country music. She seems to handle herself with dignity and poise too, which is, well, unconventional. Plus she writes her songs, like you said.

On a recent trip to Washington, DC, my husband and I splurged on Swift tickets for ourselves and kids -- an 8-year-old boy and two girls, ages 10 and 12. We thought the young singer would be especially inspirational to our daughters who love her music and are avid musicians.

That's sweet of you. Taking your three children to a concert would be quite the outlay of cash for not just tickets, but food and souvenirs as well. And you suckered your husband into tagging along as well. You sneaky devil, you. However, I'm not sure that your reason of it "being inspirational" to your daughters was the best use of your money. But I'll give you a pass—you haven't been to a concert in fifteen years.

We joined the ebullient, predominantly female concertgoers in floral H&M jumpers and cowboy boots streaming into DC's Verizon Center. Many arrived holding their daughters' hands before the first two opening bands to stand in long lines for Swift t-shirts and merchandise and take photos next to the towering Swift cutouts in the lobby.

I hope people paying that much money for tickets at least saw the opening acts. Oftentimes, that's the best part of a concert. Also, those opening acts might have also served as an inspiration for your daughters. Or your son or even your husband for that matter.

The scene was sweet until you got to the CoverGirl stands (Swift is a CoverGirl) where girls of all ages sat on stools before stage mirrors to receive makeovers -- perhaps selecting the lip and eye colors that Taylor wears.

Cross promotion, baby. I'm sure that's in a contract somewhere. Maybe CoverGirl pays part of the concert expenses, or it's a part of her endorsement, either way, is this really important? Do you never wear makeup? If you do, why do you?

The message -- you're not really beautiful until you cake your tiny, pre-pubescent face with makeup -- wasn't the empowering one I had envisioned. (I later watched a five year old with ruby red lipstick pouting because the color had come off in her cotton candy. Welcome to the hardscrabble world, baby.)

This is actually complete, utter bullshit. What little girl doesn't like playing with makeup? For a child, makeup is a fun, tactile, experiment in dress up. This isn't even relegated to those without a Y chromosome; little boys enjoy make up too. This has nothing to do with empowering or belittling children. It doesn't tell them, "you're only as beautiful as the makeup you cake on your face." And if it does, you're probably not doing a very good job as their mother.

OK, I thought, that's advertising -- not Swift's fault? Actually the pre-tweens in makeup set the scene for the CoverGirl meets Disney extravaganza.

At least you seem to be giving Miss Swift the benefit of the doubt, here. Not sure what the latter half means, but I'm not to keen on the over-Disneyfication of our youth, either.

After her opening "Sparks Fly," that featured an inordinate amount of hair flipping, Swift stood on the stage for what felt like a long and awkward few minutes, taking in the screams of her girl fans, eyes wide open with feigned amazement. Glancing to the far reaches of the arena where fans paid upwards of $130 per ticket (the going rate on Craigslist), she gazed left. She gazed right. She beamed. She stood still and put her hands to her heart.

This is what she does. I've not been to a concert, but any performance I've seen, she does this. I think it's nice actually. She seems earnest in her appreciation of her fans. There aren't many concerts where the artist attempts to make a connection with the entire audience, as opposed to the front few rows. Complaining about ticket prices won't get you anywhere either. That's not something she controls; talk to LiveNation/Ticketmaster about that one. I could write entire blog posts about that, so don't get me started.

Throughout the concert, even the best songs -- "Speak Now" and "Fifteen" -- were convoluted by an elaborate stage show and a relentless multimedia set with projected live images of Swift inside a gigantic framed mirror. Hearts and words with curly-cue lettering flashed on the screens. (The most ironic image projected was of a girl's quaint bulletin board with a tacked up ticket stub for a concert that cost $10.)

I think next time you need to do a little more research, Andrea. You went to a concert at a venue that seats 20,000 and expected an intimate style show. At a place like the Verizon center where you are paying "upwards of $130" a ticket, that's not what you're going to get. You're going to get a show. There will be explosions, lights, lasers, projections, and —yes— even a little hair flipping. You can see concerts for $10, too, though I understand the irony.

Dancers swirled up and down a staircase in the middle of the set and around Swift like something out of Glee, but not as entertaining. The music and lyrics (which do speak to girls) were secondary to the sparkle and fireworks -- literally -- of the stage.

Glee is not entertaining. Glee is just a high production value karaoke run by a couple douchebags who whine anytime a band won't let them use their songs. The show is unoriginal, uninspiring, and boring. Not to mention it's just a vehicle to offload said karaoke onto iTunes. And yes there will be sparkles and fireworks at concerts now. Especially ones that take place in large venues such as the Verizon Center.

Fleshing out the princess theme, Swift even drifted just above the crowd in a floating balcony -- her eyes seemingly meeting the eyes of each concertgoer. My husband was sure she was singing just to him.

Not sure if this is a complaint or not, but perhaps you should have enjoyed the show rather than critiquing every.single.aspect of the show. I'm all for critiquing but you could have tried to enjoy the concert at least a little.

My 10-year-old girl stood rapt on her chair, taking in everything. Like most of the girls (except the 13 year old making out with her boyfriend in the row in front of me) she loudly sang along with each song.

Yeah, you're going to see people making out at concerts. Sometimes same-sex couples if that sort of thing bothers you, or if you wish to protect your children from it (though, I hope not). If kids making out bothers you, I advise you to avoid any festivals or any concert with a "lawn" section. You, your husband, and your children will be exposed to far worse. You'll thank me for it.

I didn't expect Taylor Swift to make any radical, edgy, feminist remarks, but I also didn't expect Gidget meets the Little Mermaid. What an incredible platform for Swift to say something as simple as "Girls rock!" or something even crazier like "Love yourselves!"

I'm sorry, but saying "Girls rock!" or "Love yourselves!" is as lame as Glee. Honestly, this is your job. Do you want to rely on pop stars to get your children to like and appreciate themselves? Sure, maybe it wouldn't hurt for children to receive positive messages from many sources, but—really?— "Girls Rock?" I think I saw that on a backpack. And a t-shirt. And a Trapper Keeper. It was lame every single time.

Instead, she finished each song by looking wide-eyed into the crowd and noting how "amazing" it was that so many peopled came to the show and how "beautiful" everyone looked (incredible how she could see people with all those lights in her eyes).

Are you kidding me? You want her to say "Love yourselves" but telling the crowd how beautiful they look is too chock-full-o-bullshit to you? Maybe she couldn't see the crowd; maybe she could. I have no way of knowing, but complaining that she said you're all beautiful makes you look like you're just trying to find something to complain about. And if people came to see me perform night after night, I'd still find it amazing. I'd find it amazing that anyone would spend that kind of money just to see me, no matter how talented or famous I was. To spend that kind of money is amazing and she understands that. Don't you find it amazing that 20,000 people wanted to watch her sing? Consider most of the spectators were probably so far away that they needed to look at the Jumbotron just to see her.

But people aren't paying money to see her, or even watch her perform. People are paying that money for the experience. Good and bad. Parking at a venue like that? Terrible and practically robbery. Who wants to pay that much for a ticket to a show anyway, much less for five tickets? Souvenirs are crappy and overpriced and the food is equally terrible and expensive. But this is what concerts are. This is the, dare I say, charm of a big concert. This is also why some people prefer small venues. Good luck seeing U2 at one of those, though.

Maybe my family got the vacuous experience we deserved. That would be true if it were just a benignly bad concert experience. The problem is that it was an insidious concert experience that emphasized everything but the artist's voice -- the flowing fairy dresses and saccharine monologues covering up Swift's real power. Covering up girl power.

How was the concert insidious? In what way were you or your family harmed? Maybe this was in the bad part of DC? You went to a venue that seats 20,000 what did you expect if not a flashy, explosion-filled performance. Oh right. You expected girl power.

Don't you think that maybe, just maybe this could still inspire your daughter? Maybe she will look at this and realize that women can play music or create art that tens of thousands of people would be more than happy to converge and experience together. That girls can do whatever they want. They can be wildly successful and play giant arenas like U2 or play small hole-in-the-wall pubs for 100 people. That one can be equally successful playing both places is a lesson you could teach your daughters.

The best moments were rare authentic ones with Swift's top lip a wee bit sweaty, hair oh-so-slightly disheveled, strumming "Mean" on a banjo and later "Fearless" on a ukulele. That's what we had come to see, but it was fleeting.

 That's your token mellow song most every large concert has. Sets like these allow the performer to catch their breath in addition to making a more "direct" appeal to the crowd. This is what you wanted the entire concert to be. This is not how large, high-production concerts are produced. Most people would not be happy paying $135-$500 for this type of concert—especially given that most concertgoers could barely see her on stage with just her banjo.

This isn't her fault, nor is it yours. She puts on a certain concert and you were expecting something different. Should you have maybe done a little research? Yeah, probably. Were your expectations for a super positive, "you go, girl" type experience a little out of reach? Yeah, probably. Not because you were unreasonable, though, mostly just because that's not what the other 19,995 people there wanted to hear. The girl positive messages are in her lyrics and (probably) in interviews she gives.

As the house lights came on, my older daughter, age 12 and a half, gave me a deflated, knowing look. My younger daughter was tired but managed to quietly gush: "I loved it." My son loved his glow stick.

 It sounds like your older children know your expectations, and knew you were disappointed. I don't know if this is good or bad. On one hand, you've gotten your beliefs across, which is good. But on the other hand, they probably wished they could revel in the joy that they just saw a sweet concert with their mom instead of having to worry about your disappointment in the show. In all, you wanted to take your daughter to see a concert, to feel inspired and have fun. Did you do that? Did your children enjoy themselves? That's all that should matter.

I hope more discerning parents than us might think twice about Swift tickets. Better to have to explain the explicit sexuality of someone like Gaga and her "Born this Way" message than to have to undo the message of female powerlessness -- especially from an artist who is so fervently emulated by girls. If you have tickets already, perhaps you can prep your music lover. It's sort of like a game of I Spy: look hard and look deeply for Swift's voice. It's there, just buried in the fluff.

Speak Now tour? More like Speak softly and smile a lot.

I don't normally think of Lady GaGa as "explicitly sexual." Sure her style is a bit avant garde but I don't usually see her shoving dildos in her vagina. I think she just has fun with fashion and has a certain aesthetic she likes (Think: Alexander McQueen). I'd say pop stars like Rhianna or Britney are more sexual than GaGa.

As for "her 'Born This Way' message," what are you talking about? I really hope you're not saying this is a message you'd rather they not know or have to "explain" away. Considering all the complaints you made  about wanting your children exposed to more powerful, positive messages "Born This Way" should be the Holy Grail of positive messages for them to hear.

There's nothing wrong with loving who you are"
She said, "'Cause he made you perfect, babe"

"So hold your head up girl and you'll go far,
Listen to me when I say"

I'm beautiful in my way
'Cause God makes no mistakes
I'm on the right track, baby
I was born this way

Don't hide yourself in regret
Just love yourself and you're set
I'm on the right track, baby
I was born this way

I can think of no more empowering a message than accepting who you are and embracing yourself—realizing that you are beautiful the way you were made. For all her quirks and fancy, Lady Gaga really is a good role model for a child. But so is Taylor Swift. If you are going to let a concert spoil her message, you might not be winning at that little game called Life.