Specifics On My Free And Open Arts Studio

Earlier today, Krissy asked me about my post from a week ago regarding an open arts studio. Her question was simple, but perplexed me nonetheless. She asked, (I'm paraphrasing) "So what do you want to do? Is this hypothetical or something you want to do?" I was taken aback because anytime she mentions reading my blog, I blush, but also because I though, "well, isn't it obvious?" But maybe it isn't. I assured her that I want to do it for reals, maybe not so seriously considering she walked in on me in my "Hipster week" look, which makes me look ridiculous.

In a future post, I'll write about fundraising ideas and other details, but this post will be more about general classes. Obviously this is merely some quick brainstorming so this will by no means be complete or final. So there's that.

I will attempt to do this in something resembling a coherent and organized manner.

There are probably an infinite manner of mediums for art. Really if something exists, you can create something with it, or on it. This is really quite fascinating that, in essence, arts is made with anything and everything. There are always barriers to entry for anything, but with art, the barrier can often be quite simple to overcome.

Golf can be fun, but if you're no good at it, the people you're playing with might not tolerate your having fun at shooting a fifteen on every hole. Then there's the cost of clubs and greens fees. Baseball, too, isn't much fun when you never, ever hit the ball. True story, in my career in little kids baseball I got two hits. Both in the same game. I'm also fairly certain it's the only two times I swung the bat. Suffice to say, I was very deliberate in everything I did whilst playing baseball.

But art can be made on cardboard or the blacktop using rocks or chalk. Art can last forever (at least, centuries) or be disposable. Art can be physically, mentally, and emotionally draining or shallow. Art can be fancy pants or accessible. In reality, everything that surrounds us is art. Sometimes art is random other times it is calculated. Art does not discriminate (though, the art world can be very discriminating); a blind person can create.

That said, I'm going to try and break down various ideas into more general sections or categories.

Textiles

The first such category of classes will be textiles. Textiles surround us everywhere, and one can improvise with them pretty easily.

Stuffies

My first idea is stuffies. Who doesn't love stuffed animals? Who doesn't have someone in their life who would appreciate stuffed animals? Stuffed animals can be created in numerous ways, in varying complexities, for people of any age. Yes, I don't believe stuffed animals are solely for children. I have at least three of them within five feet of me.

Stuffies can be made very simply in a few minutes by sewing some felt together, or planned out over months leaving you with a whale that takes up an entire room. You can make them out of felt or fabric. You can knit or crochet them. You can make literally anything out of anything resembling a fabric. In fact, I bet you could make them out of other items, but I'm not sure how most people would feel about a cardboard stuffy.



Knitting & Crochet

Being in Woodbury and near Southbury, which are probably the undisputed champions of the world in elderly per capita, crocheting and knitting seem like obvious areas for classes. I especially like that young people are taking these crafts that are traditionally seen as very elderly and injecting them with a youthfulness that might not exist without a marketplace like Etsy.

Knitting and crochet are also limited only by one's imagination. You can knit or crochet almost anything. Want a blanket? How about an Ottoman? Stuffies? Yup, they too can be made with yarn. A fun offshoot of knitting and crocheting would be the process in creating yarn. I know there are quite a few yarn makers nearby to partner with. Any time I've met one, they loved talking about their animals and the yarn they make from their furs.

Basketry

I don't know anything about basketry, but I think it's intriguing. I saw a guy in Hawaii making them out of, I think, palm fronds. This guy clearly just sat there all day making hats and baskets to make a living.

Weaving

This, too, I know nothing about. Weaving is one of those things that seems exceptionally simple, but I imagine is far more complex. You can create some beautiful things with weaving though. I imagine that weaving is a very practical craft as well. You can make rugs, for example. Rugs are expensive. Making your own rugs and rugs for others seems a whole lot better than heading to Target and buying one of their generic rugs. You could make your own instead of blowing a few hundred bucks at Anthropologie, too. But like I said, I don't know anything about weaving.

Making Clothes

Maybe "Seamstressing" (is that a word?) would be a better title? Either way, making clothes intrigues me. I know Krissy would do it if she could sew. I always appreciate when people wear clothes that they make themselves. Of course, I think Jemma is the only person I've been able to say this about, since she made the dress she wore to mine and Krissy's wedding. I think this could be fun, though.

Sewing

I think sewing is an extension of the previous section. Or maybe the previous section is really more of a subsection of sewing. Either way, there's promise in teaching sewing. Everybody should have a very basic working knowledge of sewing (Think: refastening buttons, etc). Then there is hand sewing, which when done right adds an entirely different look to products/items. Sewing machines can do all kinds of fancy shmancy things, too.

Needlepoint

I don't personally care much for needlepoint. It's neat in it's own way, I just don't think it's my style. Maybe this is because most needlepoint is the ballet dancer or wolf crap you see at craft stores. Also, my grandma does it, so there's that. But as far as I understand it, needlepoint is basically pixel art with yarn. In that respect, I feel like I could like pixel art, so long as the endproduct wasn't so...cliche.

Quilting

I think more people should quilt. The irony, of course, is that I've never made a quilt, but I know I will. Think of all the fun family projects that could be made and turned into a quilt. If Krissy and I had children, I'm pretty sure we'd be saving little bits and bobs of art here and there for quilting. I'm a big fan of taking artwork, especially that of children, and turning it into something more display-worthy. Quilts seem like a perfect extension of that ideal.

Printmaking

Block Prints

Linoleum, wood, metal cuts. There's a certain magic in making a block print; cutting or carving them takes a bit of time, but it's very relaxing. Sometimes carving them can be a bit confusing if you're unfamiliar with positive and negative space, or working in reverse, but the worst that can happen is going to be a flaw that adds to the final print anyway.

Screen Printing

If I had the space and money, I'd have a screen printing machine. I'd crank out stuff like you couldn't believe. But that's not exactly why you're here. Screen printing is beautiful because it's automated to a point, but still very "hand made" in a sense. Each color is applied by hand, one at a time creating generally simple (in color) prints. You can print on probably anything, but for many people paper and fabric would be clear winners. I think screen printing would be a great way to raise funds for supplies, salaries, and equipment, too. I'd really like to have a class where parents take their children's drawings and turn them into t-shirts, ideally t-shirts manufactured in the USA.

Engraving & Etching

I don't know tons about these two, but I'm especially intrigues by etchings. I imagine engravings being involved and difficult to make, whereas I bet there are many ways to create etchings—even with common household items. I'm partial to ideas that people will be able to recreate at their home without needing all manner of specialized equipment. I'd really like to offer classes centering around lithographs and stencils, too. Other options include mezzotint, aquatint, drypoint, and photo-lithography.

Photography

Camera: Basics & Intermediate

Classes focusing on how to use camera and their many, many peripheral devices. What various functions are for and what everything on your camera and in the menus means. May also teach photography basics such as composition, understanding expose, when to listen to your camera and, more importantly, when not to.

Portraiture

Classes focusing on photographing living beings—namely people and animals. Certainly classes centering on photographing children, and allowing children to photograph will be offered too. Discuss various styles of portraiture from classic posed portraits to a more documentary style. Classes on using natural light and studio light would also be a given, which leads me to...

Lighting

Light is amazing and integral to all photographs. Classes on this topic would discuss how to understand and work with light in a natural, intuitive way. Topics would cover how to use the light to your advantage in any situation and also how to use strobes when you're looking for something different.

Landscapes

Landscape classes would be no fun inside, so these classes would head out into the natural beauty of Connecticut for some sweet hands-on training. I can think of plenty of places both near and far that a landscape shooter would love. Could be interesting to organize trips to places that are, ahem, a bit more exotic, too.

Darkroom & Film

Want to develop your own black and white film with household materials? Want to know how to set up your own darkroom in your home? Do you want to make prints from your negatives, or scan them into your computer for touch ups and printing? Really anything pertaining to film could be covered here.

Book Arts

Bookbinding: Beginner Through Advanced

I love making books! Making books by hand takes some time, but is really very relaxing. There are many types of bindings and ways to create books and all will be covered here. Hardcover, softcover, perfect binding, stab bindings, and longstitch are just the beginning. Book repair and conservation could also be covered under this section.

Altered Books

Classes here would focus of using books to create new pieces of art through, you guessed it, alteration. While I'm a bit undecided on whether I like seeing books destroyed, I have to admit that the end result can be pretty unique. In a good way. Altered books can take a flat, almost two dimensional object and turn that into something very sculptural and dynamic. Where bookbinding is the physical act of creating a book, altered books are those books turned into something new. Art books could probably fall under the purview of altered books as well.

Making and Using Book Cloth

Book cloth is great for keeping your finished book together since it resists tears far better than paper, but you're often limited to solid colors at your local store. This class would show various ways to turn any fabric into book cloth and various ways to use said bookcloth.

How To Make Books Out Of Anything

Books really can be made out of anything. My first was made out of a USPS mailing box and some dried acrylic paint. I think this class would be more child-friendly since the class is inherently more down to earth and less erudite. I have some craft foamy stuff in a drawer that would make an excellent children's book cover.

Making Boxes

Making boxes is sort of an extension of making hardcover books. Both use the same materials, just in slightly different ways. Making your own boxes, say for jewelry, photos, or books is far easier than you'd think. What are the odds you'll find a box the exact size you'll need anyway? Make it yourself and you can be certain it's perfect. Boxes are a great way to present books, gifts, or portfolios, too.

In Conclusion...

Well, I think that's a good start. Obviously this is just a very general outline of avenues worth exploring. Not knowing most of these arts and crafts myself, I'd need to get in touch with an awful lot of people who share in the same idea I have of a wonderful, free, and open art studio and would be willing to teach to their respective expertise. I know that I've left out plenty of worthy arts and crafts (painting; drawing) worth teaching too, so this list will be pretty heavily amended over time; but like I said, it's a start.

More to come!

A Grand Plan

I don't know about most people, but I always have ideas popping into my head. Most of them are what I'd consider insignificant in terms of their scope. Over the last couple years, Krissy and I have bantered about on varying ideas like selling pictures, crafting things, and so on, while others have suggested we do other things--namely open a bakery or go into construction.

Most of my ideas are not very organized. Krissy would probably disagree, thinking I can come up with a pretty organized plan off the bat, but my idea of organized and hers can be a bit different at times (which is great).

I think that there's a lack of accessible, free and open education; namely in the arts. College really shouldn't bankrupt people, and it hardly guarantees employment. Arts degrees, I suspect, are becoming even less worthwhile since it seems like funding for the arts is always getting cut.

I don't know what it's like now, but I really never took an art class. There were the normal arts and crafts type things in elementary school, but nothing that really encouraged a desire for the arts. I seem to recall cutting construction paper into circles and making a chain out of it. Now that's inspiring! Middle school actually got worse, if you can believe it. In Middle School we had this bizarre system where every single "elective" shared a period. This essentially meant that you spent two weeks in each class: Phys Ed., Health, Library, Art, Wood Shop, Computers, Spanish, French (and more that I'm sure I'm forgetting). This is a terrible "solution" for a mountain of reasons, but that's my exposure to art class as I remember it. My high school, as awesome as it is, did not require art classes and, having never been given the chance to want to like art, I skipped it.

Which takes me to now, where I have a vested interest in art and in a most bizarre turn of events: education. I'm not going to go into detail, but growing up I really did not like school. I think I prefer a more hands-on, learn at your own pace type of environment, rather than the standard approach that treats everyone the same and teaches, primarily, to standardized tests. Creativity is often a casualty in these methods.

Please excuse my rather rapid and poor graphic:

Perhaps I should explain. I'll try to do that in a reasonably coherent way, but I make no promises. My brain tends to go off on tangents.

Some Basics And Background

I've long been a proponent of free stuff. I understand the basic tenets of capitalism and respect the great wealth it has infused into this country. But I can't help but think that that's a bit selfish. Should Exxon-Mobil be rolling in the dough while your average Saudi is dirt poor. Or while Somalia is stricken with the most atrocious bouts of poverty and malnourishment-- far worse than I could possibly begin to fathom.

Or how musicians make little money while the organizations that purport to represent them are filthy filthy rich.
But that's not what this is about. What I want is an unrestricted. accessible place where people can (and will) come together. Not merely in the physical sense either, I want people to come together emotionally and intellectually because I believe that's the backbone of art. And I want this space to invite and encourage anyone to teach, and teach often.

Much has been written that information wants to be free; this is an old debate. but whether or not information wants to be free doesn't matter, it deserves to be free. Modern Science or mathematics would not exist if this basic idea didn't hold true.

The Basics

Don't mind the sentence fragments, this is a pseudo list.

I want to create a community-driven, free, and open space for arts education. I would certainly be open to other types of education as well, but the emphasis would focus on the arts, both arcane and modern.

Small classes, because no thirty people learn the same way, and no instructor ought to be stretched that thin.
I want to create a focus on children, but without alienating adults. I'd like to see children and parents working together. But there'd also be plenty of programs for adults. too.

Really fun informal events like open dance studio where kids and adults can dance together to some sweet jams. Well, the little tykes will probably dance while the parents watch from the perimeter waiting for some other brave adult to make the first move.

Something A Wee Bit Different

I'd like to have a user-friendly and intuitive website that makes all the information and lessons available to anyone, for any use.

I'd really like to encourage the premise of the open exchange of ideas. I feel that by giving away the information and allowing others to see and use it, that they can also improve upon it. This is a good thing. Not everyone is the best teacher in the world (it's statistically impossible) but the simple desire to teach should be celebrated. By teaching in a cooperative community-driven way, any idea can turn into something much bigger.

In a more technical sense, everything released by the "school" would be under a Creative Commons license. Specifically a non-commercial Share-Alike license. It might sound like gobbledygook, but this is the general idea:
We release something (a lesson plan, artwork, a template, et cetera). Someone can take that and share it with whomever they like. But, they cannot do so commercially. They are also free to create a derivative work. But this derivative must also be shared under the same license, ad infinitum. This kind of piracy is encouraged.

Crazy Talk

I'm not going to actually put a price on any of this. Art classes are typically expensive. Between tuition and course supply fees, art classes have a certain barrier to entry that most might find intimidating.

Instead, I'd institute a pay what you can model. I don't want someone to choose between art classes for their child or dinner. No one should ever have to make such a choice. (More on this in a future post.)

I understand there are a lot of kinks to work out, and that creating a non-profit is incredibly complex and that this hardly scratches the surface of what would need to be done, but this is just one post, and I think blogs with lots of words and few pictures can be, well, a bit wordy.

How do I hope to achieve this craziness and what are some more details? We'll just have to wait and see.
More to come...

What Is Art To You?

Everyone has their own version of Art.

Some people believe Picasso to be a genius, others find their children can draw just as well as he.

He did say it took him his whole life to draw like a child, after all.

But what is art to you? Personally?

Is art visceral or intellectual? Certainly it can be both.

Is art tactile or abstract? Again, it is certainly both.

Art is constantly evolving and yet staying the same.

My views on art have varied wildly over the last couple years, starting with being essentially nonexistent. Two years ago, to me, art merely existed. I didn't understand it because I never thought to try. Art was an enigma because I kept it in the dark. I think everybody does this, to some extent, saying to themselves that they just don't get art. But what's their to get?

Sure, when an artist creates something, they may have a very specific idea of what that art means and what they want you to feel. But what if you look at that art and see something different.

Take The Swing, for example.

There's a few things going on, but most people would not likely draw the same conclusion. Nor would I expect them to feel the same way about this painting. In the middle you have a lady swinging. She stands out, wearing pink, from the otherwise dismal colored painting. How does this make you feel? Look at the man pulling her from the back; he is smiling. Why? Should he be? Who is he? What about the man in front of he in the bushes. She is clearly looking at him and her cheeks are flushed. And she's kicking up her leg (losing her shoe) to let the man below her look up her dress. Considering all the clothing she's wearing, this is probably a very naughty thing to do during a time when, I imagine, modesty is best. Also, consider that they are, essentially, in public. Now how does this painting make you feel?

At first, this painting feels kind of happy. Sure, the painting is mostly dark, but the light casting through the shadows onto the woman adds a certain brightness to the painting; almost like there is something to look forward to.

But really this painting is a giant fuck you.

The painting was commissioned by a man for his mistress. He's the one on the ground up front; she's the one on the swing. Her husband is in the shadows (literally and figuratively) unaware of this affair. Is he pulling her back or Is he pushing her into it?

Art has a way of taking what you think you know and flipping it upside-down.

Now That That's Out Of The Way...

Now my personal journey through art hasn't focused so much on the minutiae of looking at and understanding art. My journey, short as it may be, has focused more on the process. I've long been intrigued by process more than meaning with art.

In particular, I've become more interested in more traditional, process-oriented arts. I feel like the process of creating and binding a book by hand is more rewarding than drawing a picture. That is not to say that drawing isn't rewarding, I just find that personally, for me, the tactility of an art encourages me to continue it.

I'm really intrigued by letterpress right now. I want to learn it. The process from beginning to end blows my mind. Letterpress seems like the perfect blend of old-school art form and new digital technology culminating in an amazing product that itself, too, is tactile.



I think that's all for now.

The Future Calls...

Everyone has dreams, right? Sadly, I think most of us never realize them.

I think I know what I'd like to do with myself, and with my life.

Unfortunately, it will take a lot of money. Actually, this may be one case where an alot of money will come in handy, only I am unsure of how to snare the elusive beast. His or her ever-replenishing coat of Jacksons or Benjamins could certainly come in handy.

Of course there are things like Kickstarter but I think that would be better put to use later in this dream.

I have a place in mind for this fantasy to take place in too.

I even have ideas of some people to involve in it, maybe some people I know would like to be involved in it. I'm not much of a networker though.

I suppose I could qualify for grants, but I don't know the beginning of that sort of thing. I see people hiring grantwriters from time to time--that must be what they are for.

I'm pretty sure I wouldn't have to worry about finding accountants to help with things, but I think the type of plan I have requires lawyers. Well at least one, probably not more than that.

Its funny because I haven't really felt excited about anything job-related. like, ever, but for once I do. I just don't know where to begin. Unfortunately, I don't think the Internet adage of

Step 1: Dream Project
Step 2: Start project
Step 3: ???
Step 4: Profit!

applies here.

Especially since what I have floating in my head is anything but a for-profit mega-conglomerate. No, it'd be local and very community and art-driven.

I'd actually had a different plan months ago that was related to this, but I think that was more fanciful (and selfish). This non-plan-plan is much better because instead of (potentially) fattening my wallet, it would fatten the collective spirit of a community.

Most people give up on dreams, and I understand why; it's hard. I don't want mine to end up in the same place as most others. I want others to reap the benefits of what I want to sow.

Drawing is pencil and charcoal pencil on paper.

"I Only Shoot Natural Light"

This subject came up the other day at the mall when Krissy and I were picking up my suit. We'd met an acquaintance of hers who is a photographer who shoots in natural light. I don't know if she uses it exclusively, but from what I saw and remember, she does.

This made me think of the numerous photographers I see saying they only shoot in natural light; when I start thinking, sometimes words just start flowing out of my mouth, this one one such time.

First of all, there is nothing wrong with natural light, this isn't some anti-sun rant or anything, this is more about attitude. I love natural light, I think we all do; without natural light, we'd all be dead.

But I have some problems with people who seem to brag about the fact that they use sunlight exclusively.

First of all, strobes are not unnatural light. They are available. Joe McNally often quotes someone who says he only uses available light. He of course finishes by saying that "available light" is "any fucking light that's available" and to this sentiment I agree.

What if you only use sunlight, and the sun isn't cooperating? You can't work. Yes, people will understand that, but I think at times it can look unprofessional. Imagine getting set up with a customer/client and the clouds roll in killing your dramatic light you had, or there are no clouds and the light is harsh and overbearing. Do you tell them to wait? Do you say you'll try again some other time? I understand you can work with this and around this, but by declaring strobes off-limits seems silly to me.

I think people are scared of flash. I think flash is the proverbial fat-assed gorilla in the room that they want to approach, because when do you get to see a gorilla up close? But they're terrified he will go, quite literally, apeshit on their asses. That's flash. People are intrigued, but afraid because of the uncertainty.

Or maybe they are just lazy.

Then there are the hipster types who are just too cool for any kind of light that isn't directly from the sun falling on powerlines or old fountains. And cross-processing it. Or using polaroids, because manual film is too mainstream.



All that said, I think that a knowledge of light, is paramount for any photographer. Painters were (and are) masters of light, so when something is the backbone of your work, you have the duty to understand it and to utilize it to its fullest potential.

Knowing how light works allows you to take sunlight that may not be ideal and sculpt it onto your subject. You can then supplement this light with strobes, or hot light, or iphone screens, or any other source of light as needed.

So I think natural light only is something of a cop out. People sound pompous when they say it like, "I don't use strobes, I don't need to cheat, I work with what nature gives me to show you how you really look" when in reality, strobes absolutely do the same thing--and so much more.



Rings made by Vicky definitely recommend her shop

Long Walks And Blistered Feet

Awhile ago, Krissy and I went for a walk; I think it was at Flanders' or something. We were almost certainly trespassing, but I think the statute of limitations has expired, so we should be safe now.


There were sheep, pigs, chickens, donkeys, and, of course, these two beauties. You might not notice it at first, but there is actually a second horse in the foreground-- see its mane? Yeah, he's about to take a lunging horse to the face.

You ever have something bop you in the nose? You know how you instinctively cringe and your eyes tear up? Imagine if instead of a stick tapping your nose you had this monstrosity coming at you instead.

As I remember it, it was kind of intense, but the horses seemed fine. In fact, they were rather playful afterwards. I seem to remember them rolling around on the ground afterwards, which was kind of funny.

We haven't been on any long long walks in awhile, but the walks definitely are filled with happy memories.

They are the reasons why I think we're getting married-- mischievous walks that maybe, just maybe, were a few miles too long.

Sometimes Wedding Bells Sound More Like Thunder Claps

Weddings are fickle things. They are important but silly all at the same time. They are kind of like birthdays in a way. I don't feel much different on or after my birthday, but the ticker that keeps track of my life has seemed fit to increase by one. After a wedding, is anything really different than before? I don't think marriage makes you care for someone more or love them more, but the way people treat weddings, you feel like you ought to.

I maintain a wedding is just a big ass party; I don't think you can deny that. Sure, there's a ceremony, but the bulk of a wedding is the reception-- that's the part people have fun at, the part people remember. Do people really remember a ho-hum ceremony when the DJ rocked some pretty phat beats courtesy Kenny G? I highly doubt it.

So it seems silly that for what is essentially a gathering of people, strongly resembling that of a party, has so much pressure put on it. Even more weird is that, most weddings are pretty much the same, formulaic bullshit. No offense to anyone who opts for such a wedding, some people love tradition, I respect that. I just think people should shake things up a bit from time to time.

I don't know if the best way to manifest that is by playing the Sex Pistols at a wedding, though. Just sayin'

There is definitely a weird aura that surrounds weddings and their planning, though. Everyone has an opinion. Most of those people, of course, are the ones who pay for weddings, so their opinions tend to find themselves grounded more in fact than opinion, though. This can be kind of stressful at times though, when the same people are telling you to do what you want to do in one breath, and the next don't seem too thrilled by your choices.

Like rings. Engagement rings aren't really necessary, are they?

Apparently to everyone else they are very important.

A song which will likely be played at the wedding:




This is pretty much verbatim what went down buying a suit. Some words may be slightly off, but I could not understand the tailor at all. Personally, since she was a woman, I think she is a seamstress. To me, tailors are men.

The salesman dude reminded me of an amalgamation of a whole lot of people. I actually quite liked him, though. He wasn't very pushy (until the end, but that's okay, I guess). He was more than patient, gave us space, and didn't mind being playful. Salesmen are all too often far too serious. I know, I used to be one and worked with a bunch of them. Pushy little fuckers. That company is out of business now though, so it serves them right. He had a kindness about him though, sort of Tim Gunn-esque. Just not as fabulous.

Prairie dogs. Need I say more?

Pronghorns. Their horns are unlike that of other horned animals. They actually shed their horns every year. They are also bone, which is covered in a sort of hair-like furryness.

Pygmy marmosets. Pretty much Krissy's favorite animal ever, so they had to be included. The Howler Monkeys are rather fun, too.

Apparently, dinosaurs are not appropriate. I think the dinosaurs and zoo animals would get along just fine. A rather large group of people are under the impression that humans and dinosaurs once coexisted peacefully, so I think they'd get along with peacocks as well.

Seating cards. If we could do it the way I'd want to (in an ideal world) they'd be flawless and seamless. Since we lack the right kinds of equipment and expertise and junk, we'll have to settle for adorable and still pretty kick-ass.

Where the whole shin-dig is going down. This picture is so pro. I should get paid for this kind of thing.

What's nice is that the walls are wood, so any light ends up with a very warm color temperature.



Peacock! They just roam about. There are at least five of them. This one is particularly pretty.



In the end, any stress really isn't worth it, though. Minuscule details, even if not perfect, will probably be forgotten. What people will remember is if the day was fun, if they enjoyed themselves, and hopefully that the day was a bit different.

What's On Our Dresser?

Being in a small space that's already filled with someone else's stuff is, no doubt, a pain in the ass. Anytime we want to use something or get something, there is simply no room for it. And being creative people with a lot of time on our hands means that most of the time we are trying to do something. This, as you can imagine, gets very frustrating.

This is a snapshot of really one of the only places we have to store things or put things. Originally, this was covered in porcelain houses and other trinkets.

Here is an overview of what it looks like from further out. It was dark so I had to use the light. And yes, it's always there, stripbox and all. That's how we roll.



Here is a view a bit closer. The two pictures after this will highlight the awesomeness that is: our dresser. This changes from day to day as we use and move things, but this is more or less how it looks on a regular basis. It's much neater after we clean, since I usually organize the random pain-in-the-ass-to-organize things. The regular boring-as-all-hell cleaning is usually performed (flawlessly I might add) by my Krissy.



Below some things are highlighted. I'll go into them in a bit of detail afterwards:



Starting from the left, we have (in no order, really):

A bag of buttons that do not fit in the larger jar of buttons further to the left.
Some books
A scarf Krissy made
A baby that Krissy's grandma crocheted. Here is a better picture. This may or may not be the same, since all I can see is the hair and skin:



India Ink

A rather large stack of revolving books (more detail later)

Buttons and knick-knacks

Stamp pad

Wax seal presser thingy

Below is the same picture, with some other stuff highlighted, notably the books.



Harry Potter and the Half Blood Prince
I Like You
How To Make Books
Heidi
The Wind In The Willows
The Cute Book
How To Crochet (I'm sure that's not what it's really called)
Sketchbook from The Sketchbook Project. (Total failure. lame)
The Little Prince (English)
The Little Prince (Italian)
The Little Prince (German)
Harry Potter And The Sorcerer's Stone
Stormy Night
The Bread Baker's Apprentice
Platon
Photographic Wisdom

There are more books to the left like:

Pipi Longstocking
Kat Kong
Handmade Marketplace
Swiss Family Robinson
Tales From Outer Suburbia
I Am America (And So Can You)
Disappearing Spoon

Next to those are some sweet records. I cannot read them from where I am sitting, but I believe there is some Belle and Sebastian, White Stripes, and Raconteurs, for starters.

Then there is Krissy's record player.

The lantern which sits atop it

And finally, my Alienbees Einstein 640 Strobe, and my stipbox which is connected to it.

It's Valentines Day

I've been instructed specifically not to blog about the origins of Valentines Day by my other half. There will be no rant about how Valentines Day is a "hallmark holiday" or how it really caters to women, and in a way sort of forces men to do something for their women today. There will be no mention of the executions of two men named Valentine, both on February 14th of different years. Nor will I delve into their canonizations.

Nope. Not gonna do it. And not just because the wife said so. Truth is, it's kind of depressing to think about all that on a day that's supposed to be happy (and hopefully stress-free).

A lot of people buy things on Valentine's Day, and you have to wonder why? Not "why do they do it" why, why why this day? Do flowers and a card mean more today than some other day? Is Valentine's really a holiday that caters to women and only to them? Is Valentine's a day for a guy to behave so he gets rewarded by his lady (or man)? I don't really think so.

Speaking of which, here is mine. I hope she doesn't get too upset with me over this. ; )

How can one not love this girl?

I don't think that Valentine's, at it's core, meant to become what it is today. I think we made it that way.

No one says you have to give someone a Hallmark card. No one said you have to give anyone flowers, or massages, or anything else. Who says today requires a romantic dinner? What makes it special today? To me, I think it is less special.

The best part about romantic dinners is that they are usually a surprise. They are special because, for all you know, you are the only two people doing it at that very moment. Chances are you are not, but you can believe it to be so.

But on Valentine's Day? Being special, being different is what I think makes a day memorable. You can (and should) shower your significant other with love, gifts, and the like every day of the year. On Valentine's Day, do something different. Make them something by hand, for example. I know no woman who doesn't appreciate something made by hand. And I'm going to assume that guys would feel the same way. I know I do.



Making your own valentine is certainly a start. This couple has been using the same valentine for seventy years. It doesn't have to be anything too fancy. If you are not artistic or crafty, it won't matter. It really is the effort and out put that matter, not the artistic sensibilities behind it. Though, if your other half is an art critic, I cannot guarantee this previous statement.

Maybe that is too simple, or you've been doing that and you want to impress your love with something new, something different. You might try a new, unique craft. Quilling (or paper filigree) is one of those lost crafts that people just don't see much of anymore. It's incredibly inexpensive, all you need is some paper, a quilling tool, and some glue. It costs maybe ten dollars to get started. You could make something like this:



You could go with a different craft, too. Maybe you are clumsy with your fingers, or you have large hands, or can't focus on the small minutiae of quilling. Try making a book. There are all kinds of ways to make, and further customize, a book. It could be a recipe book, a note book, or a book for him or her to write you letters. We personally have this one, and I like it. It's simple and not too overwhelming if you are starting out. Even better is that some books require nothing more than paper, while others do require a few more tools. I assure you though, they're not expensive.

I think an important part of Valentine's Day though, arguably the most important in fact, is every single other day of the year. No amount of neglect can be made up for in one day of flowers and chocolate. No Hallmark card is going to make up for you being a bastard for the rest of the year. It doesn't take much to go a long way. Make them breakfast (Pancakes are yummy). Leave them notes at random, maybe daily before they leave for work. Surprise them every once in awhile. Tell them you're going to go out for dinner, and leave work early to prepare a meal at home instead.

This is not that difficult.

Really, if you're going to be spending the rest of your life with someone, it is in your best interest (and theirs) to treat every day like Valentine's Day.

You'll only have yourself to thank for it.